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A bystander sits on the drystone wall to the left and watches their progress.

The new A1 by-pass means that this village has become a quiet backwater, but signs of modern development can nowadays be seen - a housing estate has replaced the brick wall on the left.

Max Wall would be proud of the legs. The sculpture forms the centrepiece for the shopping centre.

For decades, just as in this picture, people have sun bathed along the sea wall.

Regent petrol is served at the village garage on the right, and a single milk churn stands on a wall opposite where it waits to be collected for the creamery.

Circular memorial plaques on either side on the wall commemorate both World Wars.

In 1233 the town of Ludlow was given permission to build town walls. Originally there were seven town gates (four main and three postern). This is the southern gate, and the only one surviving today.

Only a fragment of the original boundary wall remains in Judges Walk.

This photograph illustrates how the Victorian sea wall was designed to throw back the waves in a Channel gale.

In this they were aided by Port Isaac's maze of narrow streets, or 'drangs', in which they could run the excise men ragged, communicating by a series of coded knocks on the walls of adjoining houses.

Behind the wall to the left of the telephone box was once Stephen's yard, used for storing cargoes.

It was taken just under a quarter of a century after pho- tograph No 32216, and the creepers can be seen to have established themselves on the walls of the building.

The terrace of cottages in Allotment Lane has ragstone walls and a brick main façade; there is a low pediment at the centre with an arched window.

The Virginia creeper-clad gritstone walls of the Blue Lion Inn at East Witton, at the eastern entrance to Wensleydale. The inn has served the needs of the villagers for centuries.

Two women stand by the wall outside the Eight Bells with its Benskins board.

Sidmouth's sea wall was first built in the 1830s, though attempts to create a satisfactory harbour failed.

His famous painting 'The Boyhood of Raleigh' features the sea wall across the road from where Millais stayed.

The ruins are substantial, and include the curtain wall, three towers, a shell keep standing on a motte, chapel and halls.

This view, through the great west door with limestone in the arches, shows the building materials well: Roman bricks, septaria and flint.

The basic idea was to build a new sea wall, and then to pack the gap between it and the old defences with sand; the surface was then paved over.

On the extreme left is a wall supporting the cliffside road out to Hannafore, 'a developing residential estate facing the open sea.'

The rustic walkway presented visitors with ample opportunities to sit and admire the view, and its width is a reminder, if one was needed, of the thickness of the castle's walls.

What weddings and baptisms brought joy to the community from within these walls of All Saints' in olden times?

The wall survives, but the lychgate has a new position.