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The best house in this view is the one with the diagonal chimneystacks, The Grove: it is Tudor, with an 18th-century pink-washed facade and a superb Queen Anne door hood.

This charming scene awaited visitors to Ilkley's many hydropathic establishments, which included the Spa, the Grove, Ben Rhydding and the majestic Wells House, designed by Cuthbert Brodrick, architect

This charming scene awaited visitors to the many hydropathic establishments, which included the Spa, the Grove, Ben Rhydding and the majestic Wells House, designed by Cuthbert Brodrick, architect of the

The late 18th-century White Horse (right) and the Victorian Grove House (centre) are virtually unchanged.

This view from The Groves shows The Cross (right) and Eagle Brow (left.)

The building just beyond, Grove End House is a listed building, but it is currently in a state of severe dilapidation and desperately needs rescuing.

Hargreaves' cycle shop on the left appears to be bravely ignoring the impending domination of the Grove by the automobile.

The parish pump used to stand on the corner of Grove Hill, just in front of Stansted Park Stores (the polygonal building on the right).

The large wooded area behind the Grove (to the right in photograph 62549) is gradually getting smaller.

Behind the camera is St Peter`s Church, and on the left is the Grove Tavern.

Originally, Grove Street was the turnpike road to Manchester, and there was a toll bar at this junction, a great annoyance to Wilmslow people who objected to having to pay to go down their

The cars in the centre of Grove Road have long gone; this road is now a busy and key part of the town centre ring road system.

One stop short of the terminus at Cockfosters, Oakwood Station is one of the jewels along this northern stretch of the Piccadilly line, which also includes Southgate, Arnos Grove and Cockfosters.

The best house in this view is the one with the diagonal chimneystacks, The Grove: it is Tudor, with an 18th-century pink-washed facade and a superb Queen Anne door hood.

On the skyline, in the gap, are the three-storey lines of Grove House in Rax Lane (right).

St Mary's Church dominates the photograph from its well-treed setting, with to its right the sheer elevation of The Foss and Grove Hill by Habershon, and to its left the Speech Room tower and chapel fleché

On the skyline, in the gap, are the three- storey lines of Grove House in Rax Lane (right).

From The Grove the camera looks south to a view dominated by William Burges's Speech Room with its polychrome brickwork; the tower, by the local architect Charles Nicholson, was not added until 1919.

Behind the obelisk and the trees is Orange Grove, early 18th-century, but titivated in 1897 with eleven gables and shell-hoods to all the first floor windows.

The River 1903 Amid a grove of tall poplars on the banks of the River Stort are the weather- boarded malting mills, which helped to lay the foundation of the town's prosperity following the passing

This view looks northwards along Middle Street (otherwise known as Chapel Street) in the centre of the village towards a 17th- century thatched cottage on the corner with Grove Road (centre

The ancient church once marked the western edge of the old town and further to the left was the site of the Old Hall and Lime Grove - once homes of important landowners.

In the village are a good variety of houses, including the early 16th- century rectory and Hallside Grove, a Gothicised house of quality set behind the low wall on the left of the photo- graph.

Back into town, this view from Orange Grove looks along past Brydon's Municipal Buildings of 1893, 'rendered necessary by the large increase of public business since the erection of the central building