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The superb wood carving dates from 1380, and on the misericords it depicts vivid scenes of medieval life and legend.

There are a great number of excellent houses for summer visitors, besides handsome and comfortable residential villas in the neighbourhood.

A new pavilion was opened by the Duke of Edinburgh in 1956. However, this was pulled down in the 1980s as part of an ultimately unsuccessful marina project.

The crypt, as it is called, is a vaulted apartment located in the northern part of the west front. It is 45?ft long by 22?ft wide, and its outer wall is 7?ft 6in thick.

At this date the building of the new 12-arched viaduct across the Tamar is nearly finished, and the construction yard can be seen below on the Devon (right) bank.

The bustling centre of Truro is paved with granite setts, and running water flows in the gutters. Barclays Bank dominates the west end, while Lemon Street can be seen emerging on the extreme left.

In 1795, the Wisbech Canal was cut along the course of the Well Stream; thus providing communication with Ely, Cambridge and the other local towns, via the network of inland waterways that existed at that

Shirley became a location for a number of industries, and two buildings in particular stand out.

We have now passed through Stonebow into the southern part of the High Street, which grew up along the old Roman road south of the walled city.

Full of quaint old Georgian houses and historic buildings, Arundel has long been an obvious destination for tourists and visitors.

Behind the post office lamp on the right the tall new Lloyds Bank building has altered the roof line.

Marble Arch stood here in the Mall until 1850, when it was removed to its present position at the top of Park Lane.The Mall, an expansive and formal approach to the Palace, is fringed with limes,

The Railway Hotel and two blocks of Tudor-style shops were built, but Howard's vision was scuppered by the Second World War.

The south façade of the house is built in the 17th-century English Renaissance style, with pedimented bays overlooking a terrace and lawn to a lake below.

Here we see the 19th-century cottages of the village; the older part is well inland, and the newer development stretches from the old centre towards the sea.

Close to the northern end of London Road, the market place and the parish church, the weatherboarded Ebben Steam Bakery, now departed, contributes to the market town feel of the photograph.

The Georgian Guildhall to the right, designed by Thomas Baldwin in 1777, was greatly enlarged to the designs of John Brydon in 1893.

Built in 1782 to designs by Thomas Baldwin, Somersetshire Buildings remain the most elegant and ornate in the street; the bowed centre house is a total contrast to the regular flat fronts of the other

From Terrace Walk, York Street passes the rear of the Roman Baths, screened by the rusticated walls and corner pavilion added by Brydon in the 1890s.

Nearby is the grave of Juliet Tewsley, who hanged herself from a tree by the river because the woodcutter for whom she was waiting with a bunch of flowers stood her up!

This photograph shows 'King Orry III' leaving Fleetwood during the summer season for Douglas, Isle of Man. For three-quarters of a century the staunch vessel weathered storms in the Irish Sea.

He built the adjacent office in part of his garden (the white porch on the right).

Opposite the Five Arches were cottages built so closely that only a man walking or a horse being led could pass between them.

On the left is the covered entrance to the Playhouse.