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Now the name is used by a new tower block which stands on the site.A horse-drawn carriage can be seen close to the shelter, the only form of transport in sight.

The relatively more recent tubular steel railway bridge, built by Robert Stephenson in 1850, with stone towers sympathetic to the castle's appearance, is a modern reminder of the continuing

Unfortunately, in February 1930 the church was destroyed by fire, and only the west tower and the vestry survived.

Situated just behind the clock tower, the bus station was opened in 1960 on a site that had previously been occupied by houses for railway workers.

In the distance on the extreme right we can just see the 16th-century tower of the parish church of St Bartholomew.

Perched on the tower parapet of the church is a bell-cote, which houses its Sanctus bell. The timber-framed, part jettied house on the right is one of a row of three.

The 16th-century tower of the church of St Nicholas and St Teilo rises above the rooftops of leafy Penally. The tree line follows the line of the Tenby Pembroke railway track.

The large cupola adorns the Co-operative building and beyond, the clock tower identifies the Town Hall.

It was largely demolished in the late 1970s apart from the clock tower.

To the left are Abbey House, the Cathedral, the Norman tower and St Mary's.

The lofty tower of the 14th-century All Saints church rises behind the Archbishop's Manor House and grounds.

The 15th-century flint tower of the parish church still dominates the long street, which retains vestiges of a Georgian heritage in some of its buildings, although the Victorians were responsible for desecrating

The parish church is of flint, with a large west tower. A

The small tower on the right with the angled roof is the Portcullis Gate; its upper part was added in the 1880s.

It was built at various periods between the 11th and 13th centuries, and its great central tower was rebuilt between 1465 and 1495 after lightning and fire had destroyed its predecessor.

The elaborate baroque-style tower on the left belongs to the Central Methodist Church of 1905.

19th-century cockfights in the churchyard of St Mary Major were a source of complaint for the head- mistress of Ilchester's 'little' school, established in the building that obscures the church tower

Designed on the courtyard plan with a turreted tower house at each corner, this building echoes Wallace's work at Pinkie (1613), the King's Lodging, Edinburgh Castle (1615), and the north range at Linlithgow

To the left of the gatehouse can be seen the royal palace of James V, which abuts James IV's Prince's Tower.

The tower is 15th-century, but most of the remainder of the building was rebuilt in the 1850s. The interior has many interesting monuments to the L'Estrange family, who owned nearby Hunstanton Hall.

Brydon certainly caught the spirit of Baldwin's Adam-esque masterpiece, only departing from it in the Baroque towers at each end.

In the background is the tower of the celebrated church of St James. Rich in historic detail, it features a Norman doorway and some fine old bench-ends embellished with carved symbols of the Passion.

The body of the church used to stand separate from the older tower, and the space between was occupied by cottages until a council chamber was built in 1851. This is now the choir vestry.

The body of the church used to stand separate from the older tower, and the space between was occupied by cottages until a council chamber was built in 1851. This is now the choir vestry.