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A less widely used path is that below the castle walls on the right, which winds around from the main entrance to Mill Street.

Warwickshire's vernacular architecture characteristically uses a mixture of building materials; with stone in the Cotswolds, for instance, and an abundance of timber in the formerly well-wooded areas of

Here we have a closer view of the impressive entrance to Nonsuch Park Palace, with its stuccoed white walls and the prominent three-storey central tower incorporating angle buttresses, battlements and

As the bridge nears completion, the writing is on the wall for regular ferry services on the Severn.

Note the cross-shaped ends to the tie-bars which help prevent the walls from bowing out on the house next to the telegraph pole, and on the next but one along.

The drying nets on the harbour wall, and a rich assortment of small fishing boats and pleasure craft moored at low water, provide evidence of the demand on its facilities.

The walls were, and to some extent still are, covered with the signatures of visitors, though a great many have been whitewashed over. Some visitors even scratched their names on the window panes.

In the 19th century the Bank House brewed its own beer: the wall and steps of the malt kiln and the cellar can be seen on the right.

Brunel, showing considerable foresight, did not cut Dawlish off from the sea when he built his railway, but incorporated its walls into a splendid promenade which can be followed all the way to Dawlish

The stone cottages to the left also remain, but the grass paddock enclosed by the stone wall has now given way to more modern

In contrast to the impressively wide and well-built promenades to be seen in Llandudno and elsewhere, the fallen rubble wall on the left here and the submerged groynes give the impression

The ornate spires on the left form part of William Wilkins' screen which walls off the Front Court of King's College.

This stone-walled lane leading down into Beresford Dale from the west is known as Beresford Lane.

Another view of the pier, with a fishing boat drawn up against the harbour wall proving a source of interest for a little group of bystanders.

The thatched roof has a neatly-dressed blocked ridge, and the limestone walls at the gable ends are raised as parapets.

In contrast to the impressively wide and well-built promenades to be seen in Llandudno and elsewhere, the fallen rubble wall on the left here and the submerged groynes give the impression

The wall survives, but the lychgate has a new position.

The ruins are substantial, and include the curtain wall, three towers, a shell keep standing on a motte, chapel and halls.

Two women stand by the wall outside the Eight Bells with its Benskins board.

On the extreme left is a wall supporting the cliffside road out to Hannafore, 'a developing residential estate facing the open sea.'

This view, through the great west door with limestone in the arches, shows the building materials well: Roman bricks, septaria and flint.

The basic idea was to build a new sea wall, and then to pack the gap between it and the old defences with sand; the surface was then paved over.

Sidmouth's sea wall was first built in the 1830s, though attempts to create a satisfactory harbour failed.

His famous painting 'The Boyhood of Raleigh' features the sea wall across the road from where Millais stayed.