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In this view, looking south just past the junction of Cavendish Road and Albion Road, the two large houses on the left remain, but flats and a close of small modern houses, Milestone Close

North Street was mainly residential in the early 20th century, with some splendid houses, including thatched cottages. They became derelict in the 1920s and were demolished in 1933.

Were it not for the public house on the right, this scene would be completely unrecognisable. The Kent Arms is now the Fat Fiddler public house.

The impressive edifices of Edward House and Alexandra House, (named after Edward and Alexandra, Prince and Princess of Wales, later Edward VII and Queen Alexandra) can be seen on the Marine

In 1890 the John Ruskin Museum relocated from a house at Walkley to Meersbrook House in Meersbrook Park.

The house on the right where the lady is standing is now called Ruskin House. But this view is very much changed.

In 1890 the John Ruskin Museum relocated from a house at Walkley to Meersbrook House in Meersbrook Park.

The building was designed by John Thomas (who had worked with Peto on the new Houses of Parliament) in the Jacobean style, incorporating the existing house.

This yard is typical of the long rows of houses and narrow roads built on the declivity towards the harbour in the town; many of the houses typically feature dormer windows in their roofs.

The Jew's House is another of Lincoln's surviving early medieval stone houses: the city has more than most.

These riverside houses have been replaced by the Albert Embankment, which was built between 1866 and 1870. To the left are the Lambeth potteries, which had operated since Elizabeth I's reign.

The park had focussed around Prospect Hill House, now known as The Mansion House, which after being a problem building for years is now a pub/restaurant with marvellous views south from its hilltop

Sturrick House, on the left, is an example, with its 18th-century rendered front concealing a 16th-century building, as does the stucco of the gabled house on the far right, Manor Farm House

The elegant lamp standard has gone, as have the sun blinds on the house on the left, while Howards House, the building on the right, has lost its top storey and the houses at the foot of the hill have

Mill Cottage is on the right, and the River Welland is at the other side of the house. The timbers of the upper storey have since been covered over by sandstone-coloured paint.

All along the Thames, and described powerfully by Charles Dickens, houses, inns and tenements tottered and decayed in places such as Deptford, Wapping and Shadwell.

In 1893 the house and park were offered for sale. The house was purchased and given to the town in 1895 by Felix Cobbold, on condition that the Corporation bought the park.

East of the Central Avenue/Bridgford Road junction is Bridgford Park; the house's extensive grounds are now a very popular public park.

This similar view of the village gives a closer impression of the mission house and the row of managers' houses (right).

17th- and 18th-century houses and cottages make Coxwold a delight to the eye.

West Wittering has some larger houses in residential areas that are ever expanding. The 11th-century church of St Peter and St Paul is heavily restored.

as Charles Dickens was concerned; he first visited here in 1837, and subsequently wrote 'Nicholas Nickleby', 'Barnaby Rudge', 'The Pickwick Papers' and 'The Old Curiosity Shop' while staying in rented houses

The unique oast houses are basically kilns, or ovens, where the piles of hops were dried on sacking laid over wooden slats, and heated by fires of anthracite mixed with sulphur.

The centre part of the house is Georgian.