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North-eastwards from Japonica Cottage, housing the Post Office (left), the photographer centres on the 1839-built Congregational Chapel.

The roofline and dormer windows of the cottage on the left have subsequently been altered. The building at right angles to the road (centre) is the medieval Guildhall.

Both the Post Office, now Swan Cottage and Tudor Cottage date from the 17th century. The larger house with the dramatic jetty (centre) is Highbank, a medieval hall house.

The cottages to the right were at this time home and shop to H Woolley, a saddler, as they had been since around 1900.

The group of cottages on the right, now called Honeymoon Row, have had many subsequent changes made to the roofline and dormer windows.

Felixstowe Cottage, on the left, is now called Above Town Cottage, and the taller timber-framed house on the right is known as The Downs House.

A solitary ladies' bicycle stands against the wall of an ivy-adorned cottage. Although the cottage is still recognisable today, it has lost its ivy foliage.

The 17th-century gable-fronted cottage on the right is one of several Cotswold-style cottages in the village.

This shows Old Hall (the former medieval Guildhall), the church, Church Lane, Friday Cottage (far right), Fen Lane with its finger post, and the bridge over the river Brett.

On the left is Tally Ho Cottage, now somewhat altered, and to the right The Blue Ball Inn, which occupies both ranges of cottages.

The setting south-eastwards from the Mill Pond includes tenements in former Church Farm (left) and cottages on Church Hill (centre), though those below Wyvern Cottage have since been replaced by the

This delightful stretch of towpath, with its lines of quaint cottages and period houses, is where the Kennet & Avon Canal enters Newbury on its way to meet the Thames at Reading.

On the opposite side of the road the sturdy Shabden Cottages, built in 1871, make an attractive row of former estate workers` cottages.

The unusual 13th-century gabled chimney of the Checker (or Exchequer) building can be seen behind the old stone cottages in Thames Street.

The thatched, timber-framed cottages we see on the right date from the 17th century.

This is a most attractive hamlet of thatched cottages not far from Truro. Its church is on an ancient site, for a Dark Age inscribed stone was found here.

A girl leans idly against a wall beside a creeper-covered cottage, a scene that has not greatly changed in the seventy years that have passed since the photograph was taken.

The waters rise at flood-tide, reaching the sills of the cottage doors, and over the years television news programmes and local newspapers have carried pictures of motor vehicles stranded in the water

Beside the quiet mill-pond at Flatford Mill stands Willy Lott's Cottage, instantly recognisable as the setting for Constable's famous painting 'The Hay Wain'.

The castle was to the south of these cottages; its outer bailey was bisected by the later Castle Lane.

It has many old Ham stone cottages, some thatched, and some with stone mullioned windows.

An old woman sits below this ancient creeper-clad tree, whilst another poses for the cameraman outside her cottage porch.

Originally these 18th-century red brick cottages were for estate workers. The fifth cottage down from the start of the terrace, No 84, is a chapel, and No 74 is now the village shop.

This photograph looks northwards up the High Street to Donkey Lane and the 17th-century thatched Dormouse Cottage on the corner (centre).