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The lofty tower of the 14th-century All Saints church rises behind the Archbishop's Manor House and grounds.

The 15th-century flint tower of the parish church still dominates the long street, which retains vestiges of a Georgian heritage in some of its buildings, although the Victorians were responsible for desecrating

The parish church is of flint, with a large west tower. A

The small tower on the right with the angled roof is the Portcullis Gate; its upper part was added in the 1880s.

It was built at various periods between the 11th and 13th centuries, and its great central tower was rebuilt between 1465 and 1495 after lightning and fire had destroyed its predecessor.

The elaborate baroque-style tower on the left belongs to the Central Methodist Church of 1905.

19th-century cockfights in the churchyard of St Mary Major were a source of complaint for the head- mistress of Ilchester's 'little' school, established in the building that obscures the church tower

Designed on the courtyard plan with a turreted tower house at each corner, this building echoes Wallace's work at Pinkie (1613), the King's Lodging, Edinburgh Castle (1615), and the north range at Linlithgow

To the left of the gatehouse can be seen the royal palace of James V, which abuts James IV's Prince's Tower.

The tower is 15th-century, but most of the remainder of the building was rebuilt in the 1850s. The interior has many interesting monuments to the L'Estrange family, who owned nearby Hunstanton Hall.

Brydon certainly caught the spirit of Baldwin's Adam-esque masterpiece, only departing from it in the Baroque towers at each end.

In the background is the tower of the celebrated church of St James. Rich in historic detail, it features a Norman doorway and some fine old bench-ends embellished with carved symbols of the Passion.

The body of the church used to stand separate from the older tower, and the space between was occupied by cottages until a council chamber was built in 1851. This is now the choir vestry.

The body of the church used to stand separate from the older tower, and the space between was occupied by cottages until a council chamber was built in 1851. This is now the choir vestry.

The new buildings featured four Italianate towers constructed of red Ruabon brick.

The heavily-restored medieval church tower is all that is left of St Martin's, which was known as the city church; it was a focal point and meeting place in times of war or victory.

The Norman tower of St Michael's parish church watches over the busy Market Place of Malton, which is filled with cars in this photograph.

In the distance is the tower of St Swithun's parish church.

The red-brick village school with its bell-tower and half-tiled gables was built on the main road between Ashford and Royal Tunbridge Wells during the late 19th century, adjoining the churchyard of Holy

The Tower is on the hill to the left. In this glorious summer scene, boats are moored along the jetty.

Thomas Cook started his travel business from a building overlooking the Clock Tower in 1841, and the front commemorating this historic undertaking, put up in 1894, is, indeed, special.

To the left is the Senate House, while the tower with four distinctive turrets belongs to the Church of Great St Mary.

The new buildings featured four Italianate towers constructed of red Ruabon brick.

Besides this magnificent rose window, the church has a splendid 14th-century south transept, intricate vaulting beneath the tower, and some interesting brasses, including a pair of shrouded corpses.