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The cottages are of different ages, but were probably refronted c1800.

The timber-framed cottages seen here were part of Mitchell's Farm, which survived until the 1920s and was the last working farm in Crawley High Street.

The Edwardian terraces in the foreground, with their bay windows and neat, walled gardens and railings, harmonise with the simpler cottages beyond.

It has been described as being fragmented, but here, in the centre, cottages of differing styles combine to give an air of rustic beauty.

Note the small windows, dictated by the timber framing and thatched roofs of the cottages.

This corner of Writtle has not altered: the pump and the cottages are still there. The house to the right was originally a maltings - the structure with the lantern was the oast-house.

The stone cottages to the left also remain, but the grass paddock enclosed by the stone wall has now given way to more modern

Hardly picturesque, crouched under the outcrop of granite, is a collection of small cottages, the earlier one probably occupied by the granite workers who came from as far away as Scotland to quarry and

through the fabric of this little village, and the fountain on the Green makes a focal point in the perfect picture; its design echoes the steeply pitched and gabled roofline of the old cottages

It was during this time that most of the wooden cottages and shops along Beach Road became the concrete amusements and shops we know today.

The cottages were built in the 1820s for retired workers on the Acland family's Holnicote Estate. They were medieval farmhouses, remodelled to the fashionable designs of John Nash.

The fencing on the right has been replaced by a hedgerow, and the third cottage in the row is now tiled.

The thatched cottage was the original gatehouse for Brampton Park, which became RAF Brampton in the Second World War.

This view looks towards Park Street, and the cottages on the left are still there.

A long-vanished view of Hoveton in the days of the horse and cart, the flaming torch sign for the school approach and the neatly thatched cottage.

The cottage was rebuilt by the poet's father and later became an inn. In 1881 it was purchased by the trustees of the Burns Monument and opened as a museum.

The thatched roofs of the Ship Light's and Port Cottage lie in the valley at Lower Eype.

The picture shows children playing outside rows of timber-framed cottages, and adults intrigued by the prospect of being photographed.

Here we see two old 17th-century thatched cottages in Church Street. The cart we can see approaching along the road is carrying a bicycle.

On the corner of Kings Mill Lane, some timber-framed cottages are built gable-end to the street.

This view shows the picturesque weatherboarded cottages that still line the southern side of Park Lane as it curves towards the junction with Malden Road.

Note the pantiles on the roofs of the cottages on the left, typical of the villages on the eastern side of Yorkshire.

It was described as having 'mean cottages, a few poor shops, an inn and a shabby railway viaduct ... and over all whitewash and coaldust struggling for mastery'.

Now, a thatched cottage like this would be in the six-figure price range, but in 1907 it would have been in the hundreds - and at this time houses depreciated when sold on.