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On the left corner is John's Cottage, a late 16th-century stone house with a surviving moulded timber mullioned window facing the photographer.

In fact the oldest part of the building is the tower which is a late Gothic structure dated 1630, the aisles are in brick and remain from an 1824 rebuild.

The timber braces in the distance, just to the right of the lorry, belong to Stonewells, a late 15th-century hall house with crosswings.

A late Edwardian scene before development took place along Grand Parade, and when grassy sand dunes filled the space where the Embassy Centre is now situated.

main road, this is the real centre of the modern village; there is a good range of shops and pubs, and the school, Herstmonceux Church of England Primary School, lies behind the fence on the right, a late

Further on towards the parish church are a selection of early 19th-century houses, matched on the opposite side of the road by a later three-storey brick terrace.

The Lamb pub, a late Victorian insertion, was demolished in 1974 and replaced by the present Boots, while all to the left of it went for the pallid neo-Georgian Martin's and a brutalist Waitrose

The church of St John the Baptist, originally built between the 13th and 15th centuries, has a late Perpendicular tower, glimpsed through the trees here, and its interior, largely remodelled

The church of St John the Baptist, originally built between the 13th and 15th centuries, has a late Perpendicular tower, glimpsed through the trees here, and its interior, largely remodelled by Sir

Here, in a relatively elaborate tomb, lies Everard Digby, who died in 1628, namesake of Sir Everard, who was executed for his part in the Gunpowder Plot in 1605.

The foreground cottage has a late 16th-century chimney, but was refronted in the 19th century.

Here, in a relatively elaborate tomb, lies Everard Digby, who died in 1628, namesake of Sir Everard, who was executed for his part in the Gunpowder Plot in 1605.

Brotton is another settlement with an ancient history; it was also seriously influenced by the ironstone industry at a later date.

Further on towards the parish church are a selection of early 19th-century houses, matched on the opposite side of the road by a later three-storey brick terrace.

The ruins are of a late 13th-century rectangular castle built on the site of an earlier stronghold that was possibly destroyed during the Lord Rhys' campaign.

Internally, the church has a good late 12th-century north arcade and a later south arcade. The great Gothic Revival architect George Edmund Street (1824-81) restored the building in 1852 and 1861.

The pub has recently been demolished, but it had a late hour of glory during the 1997 General Election, when it was besieged by the nation`s press as inside, the local Conservatives deliberated

On the corner is The Laurels, a late Victorian bay-windowed villa dated 1897. Behind it is Beech Tree Court, houses formed out of old farmbuildings.

The shops to the left of the photograph retain their excellent fronts with stall-boards and timber frames, a sight which has become a rarity in a plate-glass world.

A late 19th-century guide sings Llandudno's praises: 'the bright blue waters of the sea, the majestic ruins and bridges of Conway, all combine to form a prospect of wondrous beauty, which, bounded by the

However, at a later stage another chapel, the Chapel of the Nine Altars, was built at the cathedral's east end – mysteriously, this seems to have had no major structural problems.

Originally there would only have been arrowslits in its front face; the windows are from a later period.

St Werburgh was a late 7th-century Saxon princess and a daughter of king Wulfhere of Mercia.

New flats and houses were erected there in the late 1950s.